Artout

Opportunities

Sidebyside Studio — 2011-04-07T20:03:45Z

We are always looking for artists to represent, if you think you have got what it takes to be an artist escort provider, drop us a line at info@artout.org

See our ongoing recruitment announcement on Artservis for more details.

History of Artout

Sidebyside Studio — 2011-03-06T04:09:16Z

2011 Artout is selected for ISEA 2011 conference

2010 Artout is vindicated by winning the lawsuit against Parsons Paris

2010 Artout was a special feature in Tourism Fair, Buenos Aires

2010 Reboot FM Radio Einheit invited Artout CEO, I-Wei Li, to discuss about art and economy

2010 Artout gave public presentation in Kunst Apotheke Salon Session 11: Art Prostitution vs. Political Correctness

2010 Artout e-publication was published by Maas Media Verlag, Berlin

2010 I-Wei Li became the CEO for Artout

2009 'Most innovative project' by the New York Post

2009 Artout founder, Anton Koslov Mayr, is interviewed by Snob magazine during Bridge Art Fair, New York

2009 Artout is covered by Wall Street Journal, New York

2009 Artout is recommended by Bridge Art Fair director to Flavorwire, New York

2009 Artout was a special feature in Bridge Art Fair, New York

2009 Artout Artist Escort, Per Platou, gave live interview to Syndicat du Hype for THTH TVshow, Paris

2007 Artout was featured in Afisha, leading society magazine in Moscow

2007 First Artout artist escort service took place

2007 Parsons Paris declared Artout to be a criminal enterprise

2006 Artout was founded by Anton Koslov Mayr

Contact

Sidebyside Studio — 2011-02-21T21:06:43Z

For all escort inquiries, please write to info@artout.org or phone:

(33) 6.14.51.15.29 (Paris)

(47) 48.03.96.89 (Oslo)

(49) 151.18.76.88.03 (Berlin)

All inquiries are confidential

Artout Services

Sidebyside Studio — 2011-02-21T21:00:11Z

ARTOUT is more explosive than Hollywood and far more innovative than Art Basel. It will turn your life into a true artistic experience. Our escort services include the artist spending time with the client, discussing art and other issues, accompanying the client to either public or private functions or providing special solutions to clients emotional or corporate problems.

Each sponsor of an ARTOUT event gets a special certificate designed by the artist, confirming their participation. Photo and video documentation of the event are available upon request.

Not all of our artists are listed in our directory. If you have a special request, do not hesitate to contact us. Prepare your ARTOUT event at least one month in advance. We offer corporate discounts as we believe anyone can become a successful art affectionado.

Travel arrangements can be made.

We accept company & personal checks, cash, and most major credit cards.

What is Artout? in Spanish

Sidebyside Studio — 2011-02-21T19:47:14Z

Bienvenido a ARTOUT - el servicio de acompañamiento de artistas por primera vez en la historia del arte! Nuestro concepto es único y también lo son nuestros servicios: ofrecemos una selección de veteranos y jóvenes artistas y más próximos a salir. En nuestro mundo post financial crisis, donde queda solo en la parte superior, ¿por qué no conocer a un artista? Todos nuestros artistas articulan amistosa mente gustos del cliente, pueden hablar acerca de muchos temas diferentes y ofrecen novedades fuera de la caja de soluciones a sus problemas emocionales o de la empresa. Y si usted no tiene problemas, simplemente se inyecte el almuerzo o la cena con una gran conversación fuera de compás. Si usted es coleccionista de arte sofisticado o un principiante, un gestor de fondos de cobertura estelar o un asaltante que se retiró de sociedades en la búsqueda de nuevos trinos, ARTOUT puede ser sólo para usted. No se pierda esta oportunidad única! Ya sea en su cuartel general internacional, o en la intimidad de su casa, usted toma u ofrece un verdadero regalo de la creatividad; un artista vivo

Mission Statement

Sidebyside Studio — 2011-02-19T03:55:59Z

The law of the capitalist market with its emphasis on the ever-narrowing specialization of labor and maximization of profits invites artists to reinvent themselves over and over in order to escape the market-imposed limits to their identity. This limited identity confines artists to seek satisfying the ruling class demand for the special commodity fetish known as Art and reproduce institutionally-defined ideology of culture. In both cases the producer and the consumer of Art are limited in their freedom by the traditional modes of material exchange.

We, at ARTOUT, believe that art is an open concept and artistic praxis is the process of becoming that corresponds to the totality of individual temporality. Artistic creativity results from the dialectical relation between the acceptance of the market as the underlying principle of social reality, and the need to escape its imperatives of obedience and consensus; its locus is the individuality of the artist. The artist plays the messenger and the message, the self-medium that finds its legitimacy through the charismatic negation of conventionality.

We believe that the individuality of the artist is far more significant than the material end-product of the artist's labor. We are extending the limits of the traditional market-model to recognize the artist as the self-defined commodity whose value resides in the immateriality of artist's creative becoming. Spending time in the company of the artist is a new "creative" commodity exchange; it reveals power relations within the existing artist-patron paradigm and leads to the mutual liberation of both artists and art patrons from the condition of simple material production and accumulation to the next level of the direct creative exchange within the dominant capitalist art market paradigm.

Many thanks for the unconditional moral support to: Nic Nicosia, Andy Bichlbaum (Yes Men), Jens Haaning (Funen Art Academy), Judith Hopf (Funen Art Academy), Patricia Rita (Albert Benamou Gallery), Natasha Milovzorova (Guelman Gallery), Dr. Alesia Turkina (Russian National Art Museum), Olga Kopenkina, Tommy Olson, Richard Dailey (Afterart Press), Sarkis (Strasbourg Beaux Arts), Steven Kurtz (Critical Art Ensemble), Eugene Yelchin, Marina Shlosberg, Lucia Sommer, Dmitry M. Shostakovich, Richard Kastelein (Atlantic Free Press), Claire Shea, Kunstkritikk, Afisha Magazine and many others...